SUMMER
LOVE
When we were given the assignment to design a
piece of art in the form of a heart, I began with thinking what a heart
symbolizes, which is love. It was only
natural for me to want to design something about love with my children. Within the design I wanted to include
something they love, which is summer at the beach. For both images, the background is the beach,
which adds to the theme of the entire piece.
I repeated the theme in both images to produce a series to tell a story
together, in similar, but very different designs.
Line is a strong element for the basis of the
design. I used pool noodles to form the
outline or silhouette of the heart and filled it with media: my children and
their summer necessities (bathing suits, sunglasses and tubes). In image 2, the water actually serves as
media because it is part of the live sculpture, as well as serving as the
background.
I used stronger “gesture” lines in the
first design by posing the girls in a way that shows liveliness, to create a
sense of movement in the still piece: curving their hips, pursing lips, feet
slightly apart. The straighter lines in
the second piece and the floating in the still water exhibit a sense of
relaxation. Put together, both pieces
tell two different stories of what summer can be: fun and lively or calm and
relaxing.
The color scheme of both pieces
themselves are monochromatic because everything inside of the designs
are shades of reds with varying tint combined with neutrals. This was a happy accident when I discovered
our pool toys were all in the same color family, so we looked for bathing suits
and sunglasses to fit the color scheme.
My older daughter did not have a pink or red bathing suit, so we put her
in a neutral color to maintain the monochromatic color scheme. Using multiple shades of one color also gives
the design a sense of solidarity and harmony.
When looking at the photographs as a whole, the piece becomes
polychromatic because of all the colors in the background.
The props I used create repetition within
the design because everything is used twice: once per child. The theme is also repeated from one design to
the next. Both “sculptures” are set on
the same beach, but because the placement and activity are differnt, they
become two separate pieces.
The balance of the pieces can be viewed
in two different ways. The hearts
themselves as live sculptures are near-symmetrical because each side of the
heart has very similar weight: one kid, one bathing suit, one tube (image 2),
one pair of sunglasses, and half of the noodle heart. It cannot be perfect symmetry because my
children are different sizes. As photographs,
both pieces are composed using the Fibonacci Spiral to give them informal
balance. My younger daughter’s head
falls in the beginning point of the Fibonacci Grid, resulting in mathematically
balanced photographs.
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